Long Live the King

Ray Harryhausen died yesterday, on May 7th, at home in London, at the age of 92. This truly marks the end of an era. When Ray was 13 he saw Willis O’Brien’s magical stop-motion work on King Kong, and his path for life was set. I won’t mention all of his films, but I was an impressionable lad when I saw The 7th Voyage of Sinbad, and Mighty Joe Young, and Jason and the Argonauts and The Valley of Gwangi.

Dinosaurs and monsters; impossible beings magically brought to life; sailing into the unknown on the adventures of a lifetime. These are what a Ray Harryhausen film promised and so often and so splendidly delivered.

And he was one of the nicest, sweetest guys I’ve ever met. He is also the only person I’ve ever asked to autograph their work. I was on a panel at a New York comic convention while I was editor in chief of Starlog magazine, and I was scheduled to be part of a panel on special effects in movies—a panel that would be shared by Ray Harryhausen and two other talented filmmakers (who they were, I have long since forgotten). Knowing I would be on the panel with Ray, I went trolling through the dealers’ rooms, looking for comics of his films. I scored a good condition Valley of Gwangi and a good copy of 7th Voyage of Sinbad. Then I made sure to sit next to Ray on the panel.

Ray was gracious, asking me if I wanted them personalized or just signed. I was too shy and in awe to ask for a personalized message, so he simply signed them with “Best wishes.” Those autographed copies are a proud part of my collection (of 7,000 comics).

Ray was a childhood friend of Ray Bradbury. Both were part of a early group of sci-fi and fantasy fans (Isaac Asimov was another), way back when. These guys grew up to be the new generation of fantasy-makers and inspired all who came after, especially such filmmakers as Spielberg and Lucas and Cameron. Harryhausen was the man who, one stop-motion frame at a time, set their minds on fire, while at the same time convincing Hollywood that genre movies could be big box office.

Ray was truly one of my idols, and the world is a bit darker and emptier place today for his passing.

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Clinton Romesha and the Medal of Honor

Uncommon Valor co-author Dwight Jon Zimmerman has posted a commissioned article on the Defense Media Network detailing the heroic actions of Staff Sergeant Clinton Romesha in a remote Afghanistan valley.

This was one of the largest engagements of the war and SSgt Romesha actions were above and beyond the call of duty, eventually earning him the Medal of Honor.

Please visit the Defense Media site via this link to see Dwight’s full account of the battle, accompanied by servicemen’s photos of the area:

http://www.defensemedianetwork.com/stories/staff-sgt-clinton-l-romesha-and-the-battle-of-kamdesh/

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Another Honoree

Army Staff Sergeant Clinton Romesha was awarded the Medal of Honor this week and, thankfully, it was not a posthumous award. For more than half a century, the Medal was not awarded to a living serviceman. Now, during President Obama’s term in office, that trend seems to be reversing. SSgt Romesha is the fourth living recipient of the past few years.

The previous ten Medal of Honor award-winners were all engaged in fighting either in Iraq or Afghanistan, as was SSgt. Romesha. The stories of their service and acts of courage can be found in Uncommon Valor, Dwight Jon Zimmerman’s and John Gresham’s gripping narrative of men at war and their incredible acts of heroism, courage, and ultimate sacrifice for their fellow soldiers. Eight American servicemen were killed in the battle in October 2009, in which Romesha was wounded yet still managed to delay the advance of the enemy and dodge fire to recover the bodies of his fallen comrades.

In detailing the events of the engagement and listing Romesha’s acts of uncommon valor, President Obama quoted the staff sergeant as saying: “We weren’t going to be beat that day. . . . We were just going to win—plain and simple.”

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Human Origins. Part One.

When did human civilization begin?  If we look at this as a scientific investigation (and not a quiz of Biblical stories), the best answer, based on current knowledge, is sometime during the last Ice Age—between 40,000 and 30,00 years ago—in Europe and Asia, by descendents of our African ancestors.

The Hyborian Age, as envisioned and chronicled by Robert E. Howard, began somewhere around 25,000 years ago. “Conan the Barbarian” was a native of it. Howard posited that this age of man began after the flooding/fall of Atlantis, and ended before modern civilizations arose in the Far East.

There are extraordinarily sophisticated cave paintings in Europe that were created at least 30,000 years ago.  Some of them bear incredibly potent 3-D illustration effects. (Don’t take my word for it: you can look it up!)

Modern history (i.e., the story of man) is composed of written records from after “the Flood.” It tells of human societies in the Middle East, Asia, South America, and other coastal communities around the world. The “Flood,” as should be fairly obvious, was a rise on global waters due to the end of the Ice Age, with concomitant melting and coastal flooding as the planet began to warm once again. Dozens, if not hundreds, of civilized societies located on seashores and riversides were subsumed by the rising of the world’s waters due to glacial melting. Many were in the Mediterranean and now lie underwater.

I believe that Robert E. Howard was correct, that humanity had reached a fairly high level of sophistication before the ice retreated. Much, however, was lost in the floods that followed the melting. But much remained: geology, geometry, astrology/astronomy, the intentional planting of seeds, animal husbandry, the making of cloth and clothing—all carried over from antediluvian times.

So much was lost in the flooding . . . but so much knowledge survived, that by 3,000 years Before the Common Era (BCE), human civilization was once again modern and sophisticated. Mathematics, architecture, animal and plant breeding, plumbing, art and literature had already become part of who we are.

But who were those first advanced societies—how long ago did they begin, and how did they maintain sophisticated knowledge despite the trauma of worldwide natural catastrophes? In the history of human literature, these questions have driven some of our finest, most inquiring minds to write some of our finest, most inspiring epics.

“Where did we come from?”  remains the basis for and exploration of some of our most inspired and inspiring works of fiction and nonfiction. It is the most compelling investigation of the human mind.

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REAL MAGIC

Tom Cross, Brian Froud, and Howard Zimmerman

Today is the fourth anniversary of the death of my dear friend Tom Cross. At fifty-four, having never smoked a day in his life, he died of lung cancer. He was an artist, an environmentalist, a writer, a visionary, a coastal-ecology expert who testified in court and before Congress on wetlands conservation. But he made his living by drawing magic: wizards and fairies. Before the advent of Photoshop, Tom worked with a partner, a photographer, to produce darkroom wonders combining photographic and artistic elements into a seamless whole that was a magical environment, a fairyland. He created and illustrated two books, The Way of Wizards and Fairy Garden: A Guide to the Fairies of the Flowers. And he created a series of bestselling prints featuring wizards and fairies that are still available.

I first met Tom some thirty-odd years ago, when I was editor in chief of Starlog magazine and he walked into my office with his portfolio. He walked out, a couple of hours later, with assurances that he would be interviewed and featured, along with his work, in a future issue. He wasn’t quite sure what had happened. He had seen several other publishers and editors in his NYC sojourn, and none of them had reacted this way. I, on the other hand, knew exactly what had occurred: I had met a talented, visionary artist who understood the natural way of things, the meta-ecology of planet Earth.

"The Summons," by Tom Cross

We revered many of the same artist and illustrators, both current and classic. In 1982, Brian Froud’s work on The Dark Crystal, a groundbreaking fantasy by Jim Henson and Frank Oz, was profiled in the pages of Starlog. There were many books published about the movie, including the work of Froud. And then, as luck would have it, I was invited to a book party for Froud, and Tom was in the city at the same time.  And so we went and met Brian Froud, which accounts for the photo. Tom was like a little kid asking Babe Ruth for an autograph, Froud was equally uncomfortable being the center of attention, but we all got along just fine.

Because Tom’s real talent was engaging people.  If you knew Tom, you were part of his large and ever-growing circle of friends, and he was very good at putting interesting folks from different paths together in the same space. Something positive, perhaps unexpected—but not by Tom—usually happened.

His wonderful wife Patti has kept Tom’s website active. Please visit and see for yourself how magic can be captured on canvass. (www.tomcross-artist.com)

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Over, But Just Beginning

The elections are over and President Obama has won an historic second term. The Affordable Care Act—yes, Obamacare—is here to stay, even if some Republican lawmakers are still in denial.

The Affordable Care Act is a huge, sprawling, encompassing piece of legislation that forces some people to find health care coverage of pay a fine, forces states to open competitive marketplaces, and brings literally tens of millions of new clients to the health-care-insurance industry. It is a piece of fundamental social architecture, like the Civil Rights Act of 1964, Social Security, and Medicare. Those all seem to be working for Americans, and so will the ACA.

For a brief and excellent tour through the details and opportunities the ACA brings, pick up a copy of Health Care Reform: What It Is, Why It’s Necessary, How It Works. This excellent little volume was put together by Jonathan Gruber, who worked on the ACA and before that helped write the Massachusetts health care reform act upon which the ACA was based.

Prodded by the book’s success and continuing relevance, our publisher, Hill & Wang, is exploring the possibility of adding new material to the book’s next printing. (It has already been back to press three times.) Professor Gruber, his writing partner HP Newquist, and illustrator extraordinaire Nathan Schreiber stand ready to take another dip into the health care reform pool and provide new and important information about what kicks in, when, and how it affects everyone. I always thought the book should have a sequel but it seemed apparent it could only be a stand-alone volume. Now, it has a chance to become its own sequel.

Kudos and congratulations to writer Dwight Jon Zimmerman and illustrator Wayne Vansant. Their latest book for Z File, The Hammer and the Anvil: Frederick Douglass, Abraham Lincoln and the End of Slavery in America has just been nominated for inclusion in the YALSA Top Ten Graphic Novels of the Year list. YALSA is the Young Adult Library Services Association, an extraordinarily important group of dedicated men and women who review all young-adult works and recommend a chosen few to teachers, librarians, and kids across the country.

Dwight and Wayne’s previous volume, The Vietnam War: A Graphic History also received a YALSA nomination, in 2009, as well as a Gold Medal award from the Military Writers Society of America.

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NY Comic Con 2012

This year’s New York Comic convention at the Javitz Center was the biggest yet—in terms of both attendance and available floor space. Artists Alley was in a part of the center I never knew existed—the north pavilion—which turns out to be a lovely, large space, although it’s about a fifteen-minute walk from the main show floor.

I always visit Artists Alley when I go to a con—you never know who you’re going to meet, discover, or see for the first time in ages. I got to spend some time with Dwight Zimmerman and Wayne Vansant (Vietnam: A Graphic History and The Hammer and the Anvil: Frederick Douglass, Abraham Lincoln and the End of Slavery in America). The guys had a table and seemed to be enjoying the con. Also found the table of Z File’s favorite dark fantasy writer/scripter Steven A. Roman, creator/author of the novel Blood Feud: The Saga of Pandora Zweiback, and creator/scripter of Lorelei, the latest volume of which has a spiffy new cover painting by Esteban Moroto.

The one book I walked away from the con with is an amazing volume of graphic nonfiction by the gifted cartoonist John Backderf, commonly known as Derf. (You can follow his “The City” comic strip in Funny Times monthly.) Derf’s new book is called My Friend Dahmer. And, yes—it’s that Dahmer. Derf was a high school classmate of the notorious mass murderer Jeffrey Dahmer, and his stories are absolutely fascinating and compelling reading. The book features some of Derf’s best artwork and, as always, his storytelling is dead-on . . . although perhaps that phrase is a bit too on target.

The main convention area was the usual twelve-ring circus. What you see is many new, small boutique-type companies with one or two products or a small line of specialty items. Most will be gone by next year, replaced with a new set of folks with ideas they

are determined to make into “the next big thing.” I wish them all good luck. It is difficult to create something of quality, and even harder to then try to sell it. But we keep at it, because it’s better than working at a day job.

Howard Z.

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BRADBURY LANDING

We just can’t get enough of Mars!

NASA saw its largest, most sophisticated robotic explorer yet, the Curiosity Rover, successfully land in a highly complex maneuver in mid-August.  The damned thing is so large and so heavy that they needed to remotely lower it with reverse thrusters and a complicated parachute system. Of course, it operated flawlessly, and the Rover landed with a little jet blast and a soft bump, exactly as hoped for.

We’ve gotten to see the initial images of the Rover’s immediate surroundings, then the more distant vistas, including Mount Sharp—also known as Aeolis Mons—which is where the Rover will be sent to explore the ancient geological layers of the formation. The goal is to further understand the evolution of Mars and discover whether or not that included the development of living organisms.

The spot upon which the Rover set down, from which it signaled Earth that all was well and it was ready to explore and search for signs of alien life, has major historic significance—even if no life signs are ever found. And how did NASA signify the importance of this site? By naming it “Bradbury Landing” in honor the late, great author and humanitarian, Ray Bradbury.

Of course, when Ray wrote the stories that would be collected into THE MARTIAN CHRONICLES, he was commenting on what he saw on Earth; about the human condition; about our ability to rise to great challenges, as well as to succumb to malevolent forces.  But he was also energized and excited by the published works of astronomers Giovanni Schiaparelli and Percival Lowell, whose mistaken perceptions of Martian canals lent credence to the idea of the Red Planet being inhabited by intelligent beings. And he had read the pulp fantasies of Edgar Rice Burroughs, whose stories of John Carter, Dejah Thoris and Tars Tarkis have set on fire the minds of five generations of Earthly humans. Other world-class authors, such as Kim Stanley Robinson, have made Mars their own venue. But Burroughs gave them a reason. And Bradbury gave them the desire.

Bradbury Landing. I wish Ray were alive to see it.

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A Sad Season

The end of summer is always a bittersweet time. This year there’s overt sadness as well, as we’ve lost three talented men whom I (and the world) have long admired: Joe Kubert, Harry Harrison, and Neil Armstrong.

I grew up on Kubert’s version of Tarzan and his war titles, like Sgt. Rock. The man’s linework was always assured and breathtaking, his storytelling almost always perfect. Later he created an important series of graphic novels and nonfiction volumes, including the brilliant Fax From Sarajevo about the war in Bosnia, and Yossel, his thought-provoking alternate-history biography that explored what might have happened to him if his parents had not escaped from Europe before World War II.

 

 

Many genre fans are not aware that Harry Harrison started his career as a comic book writer and editor, before he ever got into the area of science fiction and fantasy. His most popular novels include the Stainless Steel Rat series, and his classic, dark and hugely funny anti-war novel, Bill, the Galactic Hero. I had the pleasure of meeting Harry and spending some time with him while I was editor in chief of Starlog magazine. Later, as editor in chief of Byron Preiss Visual Publications, I got to work with Harry to adapt Bill into a trilogy of graphic novels, which, as I remember, was published by DC Comics.

 

Neil Armstrong said “One small step for [a] man; one giant leap for Mankind.” He did what I had wanted to do since I was five years old: walk on another celestial body other than Earth. I remember being inches away from our black-and-white 12-inch TV, adjusting the rabbit ears at 2 o’clock in the morning so we could see a man walking on the surface of the Moon. I cannot begin to explain how exciting that was.

 

 

 

Neil’s footprint on the lunar surface is the most inspiring iconic image of the entire twentieth century.

Three visionary men whose works allowed us to envision a better way of life, and how to get there; we will miss them all.

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New Editor, Nice Plug

Recently, Publishers Weekly’s ace graphic novels reporter Calvin Reid did a column on the changing of the guard at Hill & Wang’s Novel Graphics Imprint. The founding publisher of the imprint, Thomas LeBien, has moved on and is now with Simon & Schuster, his place being taken by Scientific American senior editor Amanda Moon, who was chosen by LeBien as his successor.

LeBien was very good to Z File Inc., having acquired and/or commissioned a total of 10 titles over a five-year period.  There were three Bradbury adaptations: Fahrenheit 451, Something Wicked This Way Comes, and The Martian Chronicles on the fiction side, for which Z File had acquired the exclusive licenses. Nonfiction titles commissioned by H&W include The Stuff of Life, The Vietnam War, Evolution, The Hammer and the Anvil: Frederick Douglass, Abraham Lincoln, and the End of Slavery in America, and Health Care Reform. Still to come are, Uncle Sam Presents: The Great Documents in American History, Volume One and Volume Two.

We’re hopeful that Amanda Moon will also see the advantage of working with Z File as we move forward, especially as three of the main titles she promoted in the interview, and gave Publishers Weekly the cover files for, are all Z File books. You can see the entire interview here: http://www.publishersweekly.com/pw/by-topic/book-news/comics/article/52912-amanda-moon-takes-over-hill–wang–s-novel-graphics-imprint.html

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